My practice unfolds through a polymorphous approach that mobilizes oil painting as a pictorial medium while also engaging the forest, law, and biology as materials and agents within an expanded sculptural framework. Through painting, sculpture, installation, performance, and photography, I investigate the regimes of visibility that shape our relationship to the world and structure our systems of value. These artistic forms function as traces, archives, or manifestations of an immersive, process-based, and transdisciplinary research practice.
By developing protocols of artistic invisibilization and dispositifs that place the living world in a state of reflexive mise en abyme, my work seeks to displace inherited perceptual and symbolic hierarchies. It questions the position of the human within the ecosystems it inhabits and explores new modes of recognition and representation for non-human entities.
This research engages critically with the Anthropocene, proposing a sensitive and speculative re-reading of its narratives and assumptions. Through practices of care, attention, and collaboration with the living, it reactivates the figure of the artist as mediator, witness, and messenger of more-than-human worlds, while reconnecting with historical conceptions of painting as a site of encounter with landscape and living systems.
Situated at the intersection of aesthetics, politics, and ethics, this practice examines the contemporary conditions through which forms are produced and perceived, contributing to a reimagining of the roles of art and the artist in a time of profound ecological, social, and cultural transformation.
#"FOREST IS ART"
