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Care of SOILS

Soil Care is part of a practice that could be described as soil-art, in which the artistic gesture shifts from the representation of nature toward a direct engagement with ecological processes. Developed in collaboration with biologist Fernando Souza, this approach draws upon principles of permaculture to create a sculptural practice grounded in care and attentiveness to the dynamics of living systems. Situated at the intersection of ecological art, biology, and theories of care, this practice conceives artistic creation as a relationship of reciprocity with forest environments. The artwork is no longer understood as an autonomous object but as a device integrated into the biological needs of an ecosystem. These biodegradable sculptures fulfill a triple function: to protect, nourish, and reveal the ecological potential of the environments in which they are situated. Aesthetics thus becomes a tool for the valorization, mediation, and protection of ecosystems, while the organic materials employed contribute to soil enrichment and make visible biological processes that often remain imperceptible. This research develops an aesthetic of compost, humus, and the slow temporalities of organic transformation. The installations operate simultaneously as ecological structures and symbolic forms, proposing an understanding of soil not as a passive substrate but as an active and generative entity. They take the form of offerings to plant life and soil organisms, opening a ritual dimension in which the ground is conceived as a space of transmission, resilience, and regeneration. The project also extends into exhibition spaces and educational contexts, where the artwork becomes a tool for raising awareness of the interdependencies between humans, soils, and ecosystems, transforming artistic practice into a mode of ecological care and knowledge transmission.

Soil embassy from Maryland in NYC, at SVA. NY. USA. 2018. FACTT curated by Marta de Menezes. Forest from Maryland is visiting the bio-art lab of the SVA of New York. The soil is competing the aesthetic of the art production from the lab.
Soil basquet , collective show "TEXTURAS" – feb. 2018 at FBAUL, curated by Marta de Menezes. Lisbonne. Dried elements collected from Alentejo Landscape. In Alentejo, the landscape is damaged by the presence of monoculture of Eucalyptus. With this soil boxe, the Alentejo landsape is travelling to the gallery space to show its diversity as an artistic artefact.
SOIL Embassy. FACTT festival. Centro de Cultura Digital. Mexico city. Mexico. 2018 Soil, seeds, woods and leaves from a near by forest.
Soil theater. In summer. Garden of Cultivamos Cultura. 2017-2020 www.cultivamoscultura.com
Installation : Urban Compost , branches, seeds, straws, trees. : 300 x 150 m. 2016. Portugal. Andanças Festival. Portugal.
Installation : Adobe wall, plantes, compost, tree, moss, flowers. Portugal. 2015. This is the first small art-work is in south Portugal in a farm in the Arqueta Valley, Monchique. This land art installation is made of one little tree ( medlar) that was present in the garden and was planted as a seed. The box is made of adobe and it contains plants and is covered by moss. South of Portugal is very dry so this installation has been made under a carob tree to show the collaborative behavior of trees.
Oak of Monchique. Planted in 2016. Foia.
Bio-Land-art. Installation with 40 oaks trees and protection from predators. on the top of Foia Mountain. Started in 2016 and finished in 2017
"Soil is art" : clay, organic matter from the forest, box 30 x 15 cm, 2018
Installation : Urban Compost, branches, seeds, straws, trees. : 300 x 150 m. 2016. Portugal.
Installation : Urban Compost, branches, seeds, straws, trees. : 300 x 150 m. 2016. Portugal.
"Caddle for forest". Installation: Compost, oaks, seeds, soil, straw, branches, flowers. Portugal. 2016.
Sculpture: Plastic boxe, Silicon. Agar agar, consumable blue color, peach tree branch. 12 x 12 x 2cm. 2017

Portfolio available on demand.

Last update: June 25, 2026